![]() Many video apps allow you to add these aspect ratios directly while shooting. Using a widescreen aspect ratio, such as 2.35:1 or 2.40:1, can give your footage a more cinematic feel. If you are shooting short form content you want to publish as Instagram Reels I recommend shooting in 1080p instead of 4K because 4K videos gets downscaled by Instagram and can lead to lower quality videos. Shoot in the highest resolution your iPhone supports for the best image quality. You want to go for slow-motion and speed-ramping effects? Shoot in 60fps and above so you can slow down the footage in post production (VN App, Final Cut Pro X, Premiere.) and still get smooth frame blending. For a classic film look, 24 frames per second (fps) is ideal while for most short form content like Instagram Reels, TikToks or Youtube Shorts 30fps is prefered. With smartphone cameras having unique color science, these LUTs ensure that your footage looks its best, while also preserving the distinctive characteristics of the iPhone's camera.Ĭhoose a frame rate that suits your project's needs. IPhone LUTs are specifically designed for footage shot on iPhones. They act as color presets that can quickly apply consistent color grading across multiple clips, giving your film a cohesive, polished appearance. LUTs, or Look-Up Tables, are mathematical formulas that transform the colors and tones in your footage to achieve a desired look. ![]() Here's a short Cinematic Visual I shot on the iPhone 14 Pro in Cinematic Mode with the standard camera app and color graded it with my iPhone LUTs Collection "The Hue and Saturation curves are smooth and fluid, Hue vs Saturation saves me again and again.Are you looking to create stunning, cinematic visuals using your iPhone? In this article, we'll discuss how to use iPhone LUTs in Final Cut Pro X, Premiere Pro or VN Video Editor App to make your footage look like it was shot on high-end cinema cameras. " Color Replace with mask tracking saves me a huge amount of time when fixing skin tone issues. the auto white balance is great for first corrections." Alister Robbie, "we're often shooting in mixed lighting conditions. ![]() “I just did a job using masks and replace color to replace blown skies and it was SUPER helpful.” Dan Svoboda, Editor, "Having the tracked mask with seperate inside and outside grades is a game changer, an essential tool" Joshua Dixon, Director, WindUp Films Incredible!" George Edmondson, Seed Creative "Chromatic feels immediately responsive, almost as if it is native to Final Cut Pro X. ![]() It's fast, simple and most of all, accurate." Che Baker, Director, Blue World Order "Chromatic gives me a whole new level of control. Īt CoreMelt we have a solid background in real world post-production. Members of our team have worked on everything from block-buster feature films and television series, to music videos and high-end television commercials. Y ou can manage your LUT collections directly inside FCPX with real-time previews of your timeline clips in the custom LUTx gallery. Coremelt also offers several other professionally-designed LUT Collections for sale, and you can use the LUTx browser to create your own collections of standard CUBE files, or import any LUT files you have purchased elsewhere. With just one layer you can apply an overall grade, as well as inside and outside the mask, saving the otherwise tedious task of duplicating layers and complicating the timeline.Ĭhromatic can load industry-standard 3D LUT files directly into Final Cut Pro X as part of the workflow, but we also include a complimentary license for our stand-alone LUT loader LUTx, and our Feature Film Look Collection. N ow you have them. With the inclusion of RGB, HSL, advanced LAB Curves, as well as other advanced curve controls such as Hue-vs-Saturation, we feel that Chromatic can truly compete with any other FCPX color correction plugin available.Ĭhromatic is the only F inal Cut Pro color grading solution with fully integrated tracked masks. Many people have long wished for full Photoshop-style RGB curve controls for Final Cut Pro X. The included AutoWhite Balance can quickly help mitigate issues of poor color balance on set, using either whole scene analysis or by picking a reference white, a huge time saver. No additional installation, no more hunting for LUT files - it's drag and drop. Also included are Camera LUTs for many popular cameras that can shoot with a log color curve, including Sony A7S2, Canon DSLRs, Panasonic GH5, Blackmagic Design cameras and more. This color grading plugin delivers an all-in-one F inal Cut Pro X solution which puts the essential tools right at your fingertips in a simple clear interface, including tracked masks, with individual control of the overall grade, as well as inside and outside the mask. See Our Latest Tutorial See All Chromatic Tutorials
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